John Denver Was Living a Double Life For 28 Years, Now We Finally Know Why

John Denver Was Living a Double Life For 28 Years, Now We Finally Know Why

John Denver spent decades performing as one of America’s most beloved folk singers, but his family life was far from the idyllic image he projected on stage. The man known for gentle hits like “Rocky Mountain High” and “Take Me Home, Country Roads” hid a turbulent personal history that only fully came into focus after his death in 1997. Born John Deutschendorf Jr. , Denver grew up in a strict Air Force household with a father who struggled to show affection.

Thumbnail

The family moved constantly, forcing young John to repeatedly start over in new schools. As the oldest son, he withdrew into himself and eventually tried to escape by stealing his father’s car and driving to California. His father tracked him down and brought him back, but the rebellious streak never faded. In 1963, Denver dropped out of college and moved to Los Angeles to pursue music.

He joined the folk group The New Christy Minstrels, where the issue of his long last name surfaced. The group reportedly pushed him to change it, and the name “Denver” came from a song they were working on. A few years later, he joined the Chad Mitchell Trio, a satirical folk group known for targeting conservative politics. It was during a concert at a Minnesota university that he spotted Annie Martell in the audience.

They didn’t speak that night, but weeks later she received a letter from him asking to meet. Within about a year, the two were married. Denver wanted to write his own songs and began creating material that didn’t fit the trio’s style. In 1967, he assembled an album but couldn’t secure a record label, so he mailed copies to family and friends as Christmas gifts.

One of those songs, “Leaving on a Jet Plane,” eventually reached the top of the charts. Despite that success, labels remained hesitant to sign him. Rock dominated the industry, and Denver offered a quieter, cleaner sound. RCA Records finally took a chance in 1969, but Denver had to promote himself aggressively, touring small venues and arranging his own radio appearances.

His persistence built a loyal audience rather than a quick hit. In 1971, “Take Me Home, Country Roads” exploded into a massive hit. The follow-up “Rocky Mountain High” brought another success, but also controversy. Some critics insisted the title was a hidden drug reference, and several radio stations refused to play it.

The backlash didn’t stop the song from becoming one of his signatures. That tension followed him to the 1975 Country Music Association Awards, where Denver won Entertainer of the Year. Presenter Charlie Rich pulled out a lighter and set the envelope on fire on live television. Many interpreted the moment as a protest against Denver’s victory from traditional country figures who felt he didn’t belong in their genre.

Meanwhile, Denver’s marriage was falling apart. After a particularly heated argument in the mid-1970s, he wrote “Annie’s Song” in about ten minutes on a ski lift. The deeply romantic song became one of his biggest hits, but it couldn’t fix the problems underneath. The couple had struggled to have children and turned to adoption, welcoming a son and daughter in the mid-1970s.

Fame, however, had created cracks that children couldn’t fill. Martell later spoke openly about the insecurity caused by her husband’s celebrity. Denver acknowledged his own role, admitting his relentless touring schedule left little time for his family. At one point he disappeared to Switzerland for nearly a week before an emotional phone call from Annie brought him home.

The marriage survived that crisis but remained fragile. Denver’s confidence was also taking hits from critics who mocked his folksy image, some calling him the “Mickey Mouse of rock. ” He turned to a controversial self-help program called EST, but no seminar prepared him for what followed. Years later, Denver admitted in his autobiography that he had been unfaithful and that his marriage had sometimes turned physically aggressive.

In 1982, Martell filed for divorce. When the couple met to divide their belongings, the situation reportedly became frightening. Denver allegedly became aggressive and even tried to choke her. Then he arrived carrying a chainsaw and used it to cut their marital bed in half so they could each have a piece.

The same year brought another devastating loss. Denver’s father died unexpectedly. Their relationship had healed significantly over the years, with his father teaching him to fly and giving them a shared bond. Before the year ended, Denver also cut ties with his longtime manager, who reportedly reacted by calling Denver a Nazi, an accusation that clashed sharply with his public history of promoting peace.

Denver remained committed to humanitarian and environmental causes, but his commercial popularity was declining. In 1985, he expected to join the star-studded “We Are the World” charity recording. He wasn’t included. He later said being left out broke his heart.

He turned his attention to space exploration and began training with NASA in the mid-1980s. The Challenger disaster in January 1986 ended that dream. He wrote “Flying for Me” as a tribute to the astronauts who died. Later that year, RCA dropped him from the label, reportedly due to leadership changes rather than his talent.

While traveling in Australia, Denver met singer Cassandra Delaney, who reportedly didn’t realize she was talking to a major international star. They married in 1988, but the relationship burned hot and fast, ending in separation in 1991 and divorce in 1993. His personal life then began unraveling publicly. In 1993, police stopped him for driving under the influence and he received probation.

Less than a year later, he crashed his Porsche into a tree in Aspen while intoxicated again. The case ended with a deadlocked jury, but the FAA suspended his flying privileges and required him to demonstrate long-term sobriety before he could fly legally again. In October 1997, Denver took off alone in a small experimental aircraft he had purchased only about two weeks earlier. He was an experienced pilot who had learned from his father, but the plane had unusual modifications.

The fuel selector handle sat behind his right shoulder, requiring him to unbuckle his seatbelt and twist around to reach it. Denver had reportedly raised concerns about that placement with a technician before takeoff. The plane crashed into Monterey Bay, California. Because of his prior DUI arrests, questions immediately arose about whether alcohol or drugs played a role.

Toxicology testing found no alcohol or drugs in his system. Investigators instead concluded that Denver likely reached behind himself to switch fuel tanks, and as he twisted, his body pushed against the aircraft’s controls, sending the plane into a steep maneuver he couldn’t recover from. The crash was attributed to pilot error. After his death, another side of Denver slowly emerged.

An exhibition of his previously unseen photographs opened in 2014, revealing a passion he had largely kept private. His songs also secured him an unusual place in American music history. “Take Me Home, Country Roads” and “Rocky Mountain High” were both adopted as official state songs, making him the only musical artist with state song honors in more than one state.